Category Archives: Sign Design

Printing in Color: Understanding RGB, CMYK, Pantone

Color is probably one of the most misunderstood aspects of printing. RGB, CMYK, Pantone, what does this mean?! It can certainly be frustrating and probably involves an lengthy education to even comprehend it, right? Well, it doesn’t HAVE to be. There are some simple rules and competencies to grasp regarding this matter and when combined with just a little common sense, it will all be a very tangible notion quite soon.

So, let’s assume you know only the basics. Right now, you are likely looking at a monitor or some form of computer screen to read this. Your monitor makes all of the colors you see from 3 basic colors: Red, Green, Blue (RGB). Most printers make their color from at least 4 colors: Cyan, Magenta, Yellow, and Black (CMYK). Why the difference? Simply put, ink has to try a lot harder to reproduce colors by spraying down tons of tiny dots on a surface. It has to convince you that you are seeing thousands of colors by putting dots in different patterns from 4 or so actual colors of ink (Sign Art etc. uses a 6 color process, but thats just getting nit-picky). A computer screen has a light behind it and can make an array of colors with tiny pixels and changing the amount of illumination behind the 3 colors (RGB) which gives it that impressive high definition color you are likely accustomed to. This being said, RGB and CMYK will NEVER be the exact same color. Obviously Red is much easier to make when you have an actual RED to work with instead of fabricating one from a mixture of Magenta and Yellow. This is why a lot of times what you see on your monitor does not print exactly the same from your printer. The colors simply are not the same.

Since we know that our monitor makes colors very differently than our color can print them, how on earth do graphic artists create accurate prints with exact color? The easiest answer is the PANTONE MATCHING SYSTEM (PMS). This color matching system works when a printer is calibrated with a library of color recipes that will take the whiteness of the paper/vinyl and spray patterns into consideration to ensure that the print color will be exact. In order to pick a PMS color, you need a Pantone swatch booklet. Its a lot like a collection of paint swatches you might find in a paint section of a hardware store. NOTE: YOU CANNOT SEE PMS COLORS ON MOST MONITORS. What you actually see on your computer screen is called a SPOT color: its a color that is just a place holder; similar to a color-by-number. It just tells the printer to print the real color in its place but it wont print the color you see on the screen.

Recap: RGB is what you computer screen displays color in, CMYK is how most printers print, and Pantone is a uniformed color matched solution to ensure color accuracy. 

Now you know what RGB, CMYK, and Pantone colors are and the basics of how they work. What happens if you want to assure a color but dont have a Pantone swatch booklet? The simplest solution would be association. By this I mean that major brands, national brands, use Pantones to ensure that when they send their logo or design to a printer, that it is replicated with accuracy. When you see the NBA logo, all of the colors are associated with a Pantone color. McDonalds uses their own shade of Red and Gold. You can often tell your printer that you want a nationally recognized color for your art and they can do it. The only issue you may run into is that not all of these brands divulge their Pantone colors. For example: Tiffany’s jewelers has their own shade of blue that is protected and you just simply can’t get the Pantone color for it. You can get close, but no one can get the EXACT recipe other than the owners.

Why don’t I just give you a CMYK value instead of a Pantone? Each printer is calibrated differently and, furthermore, uses different inks with different gamut values, etc. This is why your desktop printer doesn’t print like ours and why you just can’t seem to print EXACTLY like the brochures and flyers you see. If my printer (or yours for that matter) is different in ANY way, using a CMYK value really doesn’t mean much. You might tell me to print 15% Cyan and 11.2% Yellow to make a color, but if my machine uses a heavier pigmented ink than what you are expecting, it’s going to be a far different color. This is why a Pantone matters. You simply cannot assure a color to be close to your expectation without it.

Will an RGB or CMYK value get a reasonable likeness to my desired color?  Unfortunately there is no way to give certainty with that.

Why don’t printers just use RGB? Wouldn’t that be the solution? While there are some printers that do use this palette, it tends to not even get close to what you might think. Keep in mind, monitors and screens have bright lights behind them and that is very different than a sheet of print material. Even then, since you are dealing with a completely different delivery method of light and saturation levels, etc, yadda yadda, I can assure you the CMYK makes the most sense. The exact opposite applies to monitors. RGB is considered an additive color group and CMYK is considered subtractive. Think of them as polar opposites that get to the same point.

NOTE: Sign Art Etc. uses the following Pantone library – SOLID COATED Process

 

-Dave – Artist @ Sign Art Etc.

What Makes Good Artwork for Your Order with Sign Art Etc?

From the desk of the Sign Art Etc artists: Q&A about Art for our products.

We (Sign Art Etc artists) get a lot of questions regarding art and while it would take a LONG time to answer all of these questions regarding art, it is very possible to answer the biggest ones easily.

Q: What actually makes good art for my design?

A: For our printers, we recommend high resolution or vector formatted images. High resolution would consist of an image that is at its printable size (most large format printers recommend approximately 12 inches, in any one direction, for most images) at 200 dpi (dots per inch). We use very high print quality, 6 color process, large format printers on nothing but quality vinyl or fabric materials. Our banners and backdrops are always designed to be of the best quality while offering the best prices.

Q: What if I don’t have any art to provide for my order?

A: We have many solutions to ensure you get the product you want. If you do not have art for your order, you can take advantage of our design online tool. It’s free and allows you to create your own designs using our fonts, clip art, and other art assets. If you like what you made, we can print it, as-is, or our artists can finish the job and clean up the loose ends. If you need further art assistance, we have in-house artists that can assist you and provide additional services. If you want to use stock art, we recommend purchasing high resolution stock art from a reputable stock art repository (for example: istockphoto.com, canstockphoto.com, etc). It may cost you a few bucks, but seldom will you find adequately sized art doing a google search.

Q: So you have art, you have my order, what happens next?

A: Our artists will either perform a layout for you or check the layout you have provided and then email you a proof. If you approve of the art, then it goes to production. If you need further revision, just make the request through the email system and the process will continue until an agreement is made.

If you have further questions regarding Sign Art Etc. or our art standards, visit signartetc.com or go directly to our file specs page at http://www.signartetc.com/File-Specs-s/53.htm

Making a Sign: 7 Design Secrets to Improve Your ROI

Seven Secrets Of Highly Effective Sign Design

There is a “secret recipe” for highly effective sign design. Just one missing ingredient will have a negative effect that can destroy the appearance of an otherwise well designed custom sign.

The good news is, designing visually appealing signs isn’t rocket science. Following solid principles graphic designers use to create attractive, high impact custom signage will help you yield the greatest return on your advertising dollars.

  1. Are ALL CAPITAL LETTERS Easier To Read?
  2. What Are The Very Best Letter styles To Use In Signage?
  3. What is “White Space” And How Can You Use It To Enhance Your Design?
  4. When Is Less, More?
  5. How Big Is Big Enough For The Message To Be Readable On A Sign?
  6. What Are The Best Color Combinations To Use?
  7. Should You Use A Border On Your Sign?

Use this information anytime to create a competitive advantage in your sign program. Let’s get started.

Secret # 1
Are ALL CAPITAL LETTERS Easier To Read?
There is a misconception that exists that since ALL CAPITAL LETTERS are “bigger” than their lower case counterparts, that they must be easier to read from a distance. However, visual tests have scientifically verified that Upper And Lower Case Text is more legible from a distance than ALL UPPER CASE LETTERS. Since passing motorists may only have 2-3 seconds to read your message, maximize the readability of your custom designed sign by limiting the use of all capital letters.

ALL CAPS do have a place in effective sign design. However, since you know now this secret, you will automatically be mindful if and/or when you choose to use them. When you preview a design for your new sign, stand back from the monitor to get a better idea of what the text will look like from a distance.

Top Secret # 2
What Are The Very Best Letter styles To Use In Signage?
In an attempt to stand out in the crowd, inappropriate type styles are often chosen for signage. “Designer Fonts” may look good on business cards and stationary, but they can greatly diminish the effectiveness of a sign. To make matters worse, fancy type styles are often used completely wrong.

For example, a
on a sign can be difficult enough to read but nobody should ever use (“ALL UPPER CASE SCRIPT”) or

In general, clean, crisp, easy-to-read type styles should be used for maximum legibility. Prime distinctive examples include

Variations of the same type style can also be used throughout the design

If you look at what national companies do with their signage, you will notice clear, easy to read text in almost every case.

The second most legible group of type styles includes the serif style of fonts. Serifs are short horizontal lines added to the tops and bottoms of traditional typefaces, such as “Times Square” seen below. Please note the differences below between the block style letter (sans-serif or “without serifs”) and the serif style letter.

There are several variations of similar looking serif type styles including

Each letter style has its own unique, defining characteristics. The distinctions from one serif letter style to the next are often subtle.

* As a general rule of thumb, never use more than two different letter styles in a single sign design. Our Online Sign Design Center let’s you instantly select, view and revise type styles at will. By playing with different styles and combinations, a distinctive identity will emerge that will project your business image professionally. Top

Secret # 3
What is “White Space” And How Can You Use It To Enhance Your Design?

White space also known as negative space simply refers to the empty area of a design that is devoid of any text or graphics. The empty spaces surrounding text and graphics are just as important as other design considerations. There is a tendency to “fill up” the available area with as much as possible. To leave area unused almost seems counterintuitive because we all want to get the most bang for our buck.

So why is white space so important to create highly effective sign design? Part of the reason is psychological and part of it is physical. Text without adequate white space leaves us feeling crowded and cramped. Text needs room to breathe. When text is crowded, the message becomes too difficult to read.

A general rule of thumb is that around 30% to 40% of the sign’s face area should be left as white space for optimal readability. Trust your own judgment. If a design looks too crowded, it probably is.

Secret # 4
When Is Less, More?

This design tip goes hand-in-hand with the effective use of white space.

The most successful sign will communicate effectively and concisely. Therefore, in as few words as possible, clearly communicate the message you wish to convey to your target audience. Crowding the sign with too many words or lines of text makes it increasingly difficult to read from a distance. The number of words used on a sign is a classic example of where, “Less Really Is More”.

Once you preview a completed design, stand back and look at it again and try to put yourself in your customers’ shoes. What will most appeal to them? Top

Secret # 5
“How Big Is Big Enough For The Message To Be Readable On A Sign?”

Any sign that can’t be easily read from the distance intended is virtually worthless. So when in doubt, better to go larger than too small.

The scientific answer though lies in the Letter Visibility Chart originating from a joint research project by the Pennsylvania Transportation Institute, Penn State University and the United States Sign Council.

Unlike a lot of charts that seem confusing at first, this chart is very easy to read and understand at a glance. The beauty of this chart is in it’s simplicity of use.

For example, if the farthest point you want your message to be seen from is 100′, the Chart indicates that you should use a minimum 3″ letter height. However, for “Best Impact”, a minimum 10″ tall letter is called for. The greater the size, the greater the impact and legibility of the message.

Selecting the right size lettering for your next project is no longer guesswork. Use the following steps to ‘reverse engineer” the exact size your sign should be. Working “backwards”, you can easily determine the optimal letter height for your signage. This will require a little bit of your time and effort but isn’t your business worth it?

  1. Start with the most distant point you want your audience to be able to read the sign
  2. It’s best not to guess so buy a cheap tape measure so you can accurately measure the distance
  3. Once you know the viewable distance, decide exactly what you want the sign to say
  4. As a rule of thumb, a 6″ tall letter will take up around 6″ in width. So if your line of text has 10 character spaces, you will need a sign at least 60″ plus in width. Remember to include enough white space around text and graphics when deciding upon the final size of the sign itself.
  5. If your sign has more than one line of text, add all of the vertical heights of the lines of text and add about a third more to that number for the height of the sign. For example, if all the lines of text add up to 12″ tall, add about a third or 4″ to make the overall height of the sign about 16″. Adjust as needed to make the layout look balanced.

Speed is another factor that should be considered for signage visible from the street. The following chart outlines the feet traveled per second at different speeds. This is a supplemental tool you can use to help choose the optimal size for your custom signage.

Use the data in this table combined with the Letter Visibility Chart above to determine the amount of time potential customers will have to read a sign while driving.

For example, an 8″ letter is has a maximum readable distance of 350′. If a vehicle is traveling at 45 mph, then divide 350 feet by 66′ feet per second (FPS) to determine that a driver will have a maximum of 5.3 seconds to read the sign until they pass it.

You now possess the secrets to optimizing letter sizes that will be easily read by your target audience. Top

Secret # 6
“What Are The Best Color Combinations To Use?”

The effective use of color is vital to the effectiveness of a sign. So how exactly, do you use color “effectively”, right?

The key is contrast. So what exactly is contrast? Contrast is the difference in brightness between the light and dark areas present in a single design. A bright yellow background for example, will contrast well with dark letters such as black, a dark shade of blue and even purple. The greater the contrast or difference between the light and the dark colors, the more legible text is from a distance. Colors that are closer together like a medium gray letter against a black background won’t contrast as well and therefore will be more difficult to read.

Contrast:
Take a look to your left. Which of the two looks larger… the white one? They are both the same size. The use of a light colored letter against a dark background lends to it seeming larger. Light letters tend to come at you, where dark tend to recede.

Generally speaking, white as a background color is by far the most versatile because more colors naturally contrast better against a neutral white background than any other single color. When you choose a different background color for a custom sign other than white, you limit your choices for colors that will both stand out and “go with” that background color. That’s not a good thing or a bad thing – it’s just something to keep in mind when making color selections.

Comparing Visibility Of Different Color Combinations

These 14 color combinations for lettering were tested for readability at a distance. The test were carried out on different groups under the sponsorship of the Outdoor Advertising Association of America (OAAA). The results ranked in the sequence shown, with #1 the most legible and #14 as the least legible. Negative letters in 3, 4, 6, 8, 10, 12 and 14 appear to be larger in appearance than their positive counterparts.

Color Combination Effects
Contrast Solutions

Weak color contrasts can be strengthened with an outline and/or drop shadow.

Colors create a mood, a perception, a feeling and speak very loud to our subconscious generating either a positive or a negative reaction within seconds. Consider the psychological characteristics of color when making your selections.

BLACK suggests authority, power, boldness, seriousness, professionalism, is distinguishing and classic. Business wise, it’s great for creating drama and is good for a background color. It is ideal for text on a light background.

BLUE suggests security, authority, faithfulness and dignity. For business it suggests sanctuary and fiscal responsibility. It is the most popular and the second most powerful color. Blue can also be cold. People are more productive in blue rooms.

BROWN suggests richness, politeness, helpfulness and effectiveness. In business it suggests less important items. Solid, reliable brown is the color of earth and is abundant in nature. Light brown implies genuineness while dark brown is similar to wood or leather.

GRAY suggests authority, practicality, earnestness and creativity. Business wise it is traditional and conservative.

GREEN suggests health, fertility, freedom, freshness, healing, tranquility and jealousy. Businesses use it to communicate status and wealth. It is the easiest color on
the eye and can improve vision. It is a calming, refreshing color.

ORANGE suggests pleasure, cool, excitement, cheer, endurance, strength and ambition. For business it is good for highlighting information on charts and graphs.

PINK suggests femininity, gentleness, well being and innocence. For business you must be aware of it’s feminine links and implications.

PURPLE suggests spirituality, royalty, luxury, wealth, sophistication, authority and mournfulness. In business it is upscale and works with artistic types. It is also
feminine and romantic. However, because it is rare in nature, purple can appear artificial.

RED suggests excitement, strength, sex, passion, vitality, aggressiveness and commands attention. Business wise it’s associated with debt, is great for boldness and accents. The most emotionally intense color, red stimulates a faster heartbeat and breathing.

WHITE suggests refinement, purity, devotion, contemporary and truthfulness. For business it can be sterile and refreshing.

YELLOW suggests warmth, sunshine, cheer, happiness, jealousy, deceit and cowardice. Business-wise it appeals to the intellectual types and is a good accent. Yellow enhances concentration, hence its use for legal pads. It also speeds metabolism. It is the most difficult color for the eye to take in, so it can be overpowering if overused.

People respond more to non-verbal cues than verbal ones. Make sure you use the psychology of colors in all your marketing, especially when you can’t be face to face.

Secret # 7
Should You Use A Border On Your Sign?

Adding a border increases reading speed by 26%. Borders are often recommended whenever automobile traffic is the intended audience.

With forethought and careful deliberation, present the image you want to project that will attract customers and entice them to stop, shop, and buy. For example, full-color photo-realistic digital pictures can be incorporated into designs to add greater impact. Logos, artwork and other graphical elements can also be added to visually stimulate the viewer towards the desired action.

Actively participating in the final design of your sign is an ideal opportunity to make the best first impression possible. Put your best foot forward. Nobody else knows your business and objectives better than you do. Nobody cares nearly as much about your success as you do. You are the architect of you business. Plan well.

Interior VS Exterior Signs: What Are The Options?

The places you can put your sign are limitless: cars, windows, floors, yards, doors. Location is only limited by your imagination. Choose where you want to put your sign and we’ll help you determine the right materials, design elements, and other resources to make your sign a cost-effective attention-getter.

Ask yourself these questions:

Where is the sign going to be placed?
What elements are going to affect the sign?
How is the sign going to be installed or hung?

Available Vinyls
Cast Vinyl Interior/Exterior
Calendered Vinyl Interior/Short Term Exterior
Translucent Interior/Exterior
Reflective Interior/Exterior
Metallic Interior/Short Term Exterior

Other Possible Substrates
Aluminum Interior/Exterior
Banners Interior/Exterior
Sho-card Interior
Coroplast Interior/Exterior
Magnetics Interior/Exterior
M.D.O. (Medium Density Overlay Plywood) Interior/Exterior
Acrylic Interior/Exterior
Polystyrene Interior
PVC Interior/Exterior

Lynn Lee, Photographer, Goes To Sign Art Etc To Make Her Images ‘POP’

Marketing with Signs & Graphics

What’s New, Cool Project of the Month and Sign Art’s Sign Tips & Tools.


Teamwork…..Creativity……Reliability.
Every Time.

Our clients tell us they really like our team approach, our creative solutions and our ability to complete their project on time and within budget. They’ve said we are the best team in the business. Period.

 

In many instances, our clients have been disappointed with other sign suppliers. They found the end result wasn’t what they expected in terms of quality or delivery or that the entire experience was not handled in a professional manner. The only surprise with Sign Art Etc is how easy it is to work with our team. Let us make you a hero…..

Words of Wisdom…
“I think a hero is an ordinary individual who finds strength to persevere and endure in spite of overwhelming obstacles.”
– Christopher Reeve

COOL PROJECTS OF THE MONTH….

Lynn Lee is one of the area’s top photographers. She needed several of her pictures printed out 48″ tall and mounted on a solid backer to be used as display graphics. Sign Art Etc was able to take her beautiful images and print them to the large size with great color and detail. Lynn was pleased and we like the results so well we have one in our showroom.

If you need a photographer to create a work of art for you….give Lynn Lee a call. If you need a photograph or digital image printed to poster size or larger…give the Sign Art team a call at (765-449-1884). PS….I liked Lynn’s work so much that she photographed my wedding.
_____

Crestview North is one of the “class” apartment complexes in the area. When they wanted a new look for their signage, they teamed with Sign Art through the design and manufacturing process. A new shape, new colors….and another successful project. Don’t let the picture fool you, the sign is 10 feet wide. With the addition of lights and landscaping, Crestview has a new West side landmark….day or night. We can do the same for you.

Banners, Electrical Signs, Commercial Developments, Trade Show Displays, Big Checks, Interior/Exterior Signage….you name it, we can do it.

Sign Art Etc has North Central Indiana’s LARGEST sign and graphics showroom. Stop by & let the Sign Art team turn your ideas into reality.

Watch for your project in upcoming newsletters. If you are interested in Large Format Graphics and Displays, Interior or Exterior signage or any other cool or unusual project, check out our website at www.signartetc.com or email us at info@signartetc.com

TEAMWORK…..
CREATIVITY…..
RELIABILITY.
EVERY TIME.

In terms of pure cost effectiveness, signs provide remarkable values! When evaluated as part of an overall marketing media mix, signs at the point of sale consistently deliver more market coverage for a lower cost than any other form of advertising – by a wide margin. As the chart indicates, signs not only provide an astoundingly low cost per thousand exposures, but also do so at the very point of sale, where people impressed by the graphic message can respond to it instantly in terms of a purchasing decision.

For More Free Tips and Information, Stop by our Showroom at 3861 State Road 26 East -Suite C (International Sports Complex) for your free literature.